With the Global Warmning project so far I have not been heading in the direction I want to go in. The issue revolves around whilst the issue is a serious one, muddied waters, spin, apathy for the issue and obviously no hard facts as no-one can predict what may possibly happen in the future. Also my work has been lacking a narrative story and characters that I enjoy working with. So I have decided to list (below) all of the areas I am interested in exploring and then will outline how moving forward I can try and encompass them in my work.
- Character and narrative to tell story.
- A multimedia approach to telling story and communicating ideas.
- Climate change and pieces of work that are a warning and a call to arms.
- Highlight the media, spin, "fake news" and manipulation of facts and data on global warming debate. Both mainstream media and online.
- Playing with the notion of "the truth" and the Werner Hertzogs "ecstatic truth".
- Inform educate AND entertain.
- Experimenting with different media, materials and technologies to create pieces and extend my skill base.
- Investigate different methods of delivery, dissemination, exhibition and platforms for my work.
- Consider the notion of audience for the work. Targeting individual content at specific audiences whilst also working as a whole campaign
Action Plan
- Come up with a list of areas and keywords that are the foundations and building blocks for my Global Warmning campaign raft of work.
- Research into myth and truth. Traditional mythology.
- Find examples of artists, advertisers, writers who have created and spun myths. Blair Witch, Donnie Darko, urban myths, sleeper films.
- Research into Stealth advertising, sleeper films and advertising campaigns to get messages out.
- Look at artists who have dealt with these themes and consider their preoccupations, inspirations and ideologies. Then look for papers on them (Tate papers good starting point) and see what references they have and who influenced them.
- Consider and investigate the mood and tone of the project.
- Consider individual pieces that could be created and look at style and tone of these if going to be re-created archival pieces.
- Make sure outline WHO the piece is for. Narrow targeted audience. Multiple pieces for a vast audience art installation, viral, doco, short film, advert, each one of them targeting a specific audience. Scattergun approach?
- Consider ethics if looking to hoodwink the audience.
- Consider WHY anyone should CARE about MY work! What are my influences, ideologies, messages, values and stylistics etc. Narrative, character, storytelling, representation, notions of "the truth", media spin and fake news and communicating a message.
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